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dc.contributor.authorLópez Gómez, Lidia
dc.date.accessioned2025-01-16T11:25:23Z
dc.date.available2025-01-16T11:25:23Z
dc.date.issued2023
dc.identifier.citationLópez Gómez L. Audiovisual warfare: music and international persuasion in documentary films during the Spanish civil war. Twentieth-Century Music. 2023;20(2):244-260. DOI: 10.1017/S147857222200038Xca
dc.identifier.issn1478-5730ca
dc.identifier.urihttp://hdl.handle.net/20.500.12367/2881
dc.description.abstractDuring the Spanish Civil War, cinema became one of the most powerful weapons of propaganda. The music of the films, full of anthems and political references, was an essential tool for displaying the documentary's intentions and for influencing spectators’ reactions. Between 1936 and 1939, there was a surge in the production of documentaries targeting international audiences, as they were an invaluable resource for engaging the European countries that had signed the Non-Intervention Agreement against involvement in the Spanish conflict. The objective of this article is to analyse the music of the documentaries set in Spain that were exhibited internationally during the years of the war. [...]ca
dc.format.extent17 p.ca
dc.language.isoengca
dc.publisherCambridge University Pressca
dc.relation.ispartofTwentieth-Century Music. 2023;20(2):244-260ca
dc.rightsAttribution 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subject.otherMusicca
dc.subject.otherDocumentary filmca
dc.subject.otherSpanish civil warca
dc.titleAudiovisual warfare: music and international persuasion in documentary films during the Spanish civil warca
dc.typeinfo:eu-repo/semantics/articleca
dc.description.versioninfo:eu-repo/semantics/publishedVersionca
dc.rights.accessLevelinfo:eu-repo/semantics/openAccess
dc.embargo.termscapca
dc.identifier.doi10.1017/S147857222200038Xca


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Attribution 4.0 International
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