dc.contributor.author | Suárez Gómez, Rafael | |
dc.date.accessioned | 2023-11-21T08:27:38Z | |
dc.date.available | 2023-11-21T08:27:38Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Suárez Gómez R. Del haluro de plata al píxel: una aproximación a la definición de la "textura" en la imagen cinematogràfica. BRAC. 2020;8(2):119-140. DOI: 10.17583/brac.2020.3352 | ca |
dc.identifier.issn | 2014-8992 | ca |
dc.identifier.uri | http://hdl.handle.net/20.500.12367/2507 | |
dc.description.abstract | This article presents results obtained in a research focused on the photochemical and digital supports that capture cinematographic images. Specifically, the results that are presented are in relation to a definition of one concept: texture. In this sense, this article starts describing the cinematographic acquisition current context before the paradigm change produced by the arrival of digital cameras. After that, the article focuses on the theoretical parameters, methodology and instruments used in the research. Finally, the results about the definition of "texture" are presented by three approximations marked by the phases of the research. [...] | ca |
dc.format.extent | 23 p. | ca |
dc.language.iso | spa | ca |
dc.publisher | Hipatia Press | ca |
dc.relation.ispartof | BRAC: Barcelona, Research, Art Creation. 2020;8(2):119-140 | ca |
dc.rights | Attribution 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | * |
dc.subject.other | Image | ca |
dc.subject.other | Texture | ca |
dc.subject.other | Photochemical | ca |
dc.subject.other | Digital | ca |
dc.subject.other | Film image | ca |
dc.title | Del haluro de plata al píxel: una aproximación a la definición de la "textura" en la imagen cinematográfica | ca |
dc.type | info:eu-repo/semantics/article | ca |
dc.description.version | info:eu-repo/semantics/publishedVersion | ca |
dc.rights.accessLevel | info:eu-repo/semantics/openAccess | |
dc.embargo.terms | cap | ca |
dc.identifier.doi | 10.17583/brac.2020.3352 | ca |