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dc.contributor.authorSuárez Gómez, Rafael
dc.date.accessioned2023-11-21T08:27:38Z
dc.date.available2023-11-21T08:27:38Z
dc.date.issued2020
dc.identifier.citationSuárez Gómez R. Del haluro de plata al píxel: una aproximación a la definición de la "textura" en la imagen cinematogràfica. BRAC. 2020;8(2):119-140. DOI: 10.17583/brac.2020.3352ca
dc.identifier.issn2014-8992ca
dc.identifier.urihttp://hdl.handle.net/20.500.12367/2507
dc.description.abstractThis article presents results obtained in a research focused on the photochemical and digital supports that capture cinematographic images. Specifically, the results that are presented are in relation to a definition of one concept: texture. In this sense, this article starts describing the cinematographic acquisition current context before the paradigm change produced by the arrival of digital cameras. After that, the article focuses on the theoretical parameters, methodology and instruments used in the research. Finally, the results about the definition of "texture" are presented by three approximations marked by the phases of the research. [...]ca
dc.format.extent23 p.ca
dc.language.isospaca
dc.publisherHipatia Pressca
dc.relation.ispartofBRAC: Barcelona, Research, Art Creation. 2020;8(2):119-140ca
dc.rightsAttribution 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subject.otherImageca
dc.subject.otherTextureca
dc.subject.otherPhotochemicalca
dc.subject.otherDigitalca
dc.subject.otherFilm imageca
dc.titleDel haluro de plata al píxel: una aproximación a la definición de la "textura" en la imagen cinematográficaca
dc.typeinfo:eu-repo/semantics/articleca
dc.description.versioninfo:eu-repo/semantics/publishedVersionca
dc.rights.accessLevelinfo:eu-repo/semantics/openAccess
dc.embargo.termscapca
dc.identifier.doi10.17583/brac.2020.3352ca


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Attribution 4.0 International
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